Talking White

Regular readers, to the extent that there are any, know that I have been amusing myself in recent months by writing about various skirmishes in America's on-going culture wars.

With respect to literature, the conflict is mainly an attack on the status of whites, and particularly white males, as being inappropriately in control of how writing should be crafted -- what is good, what is bad; what is noteworthy and what is not; what should be included in "the canon."

The other day, I stumbled on another skirmish, from which I will present an excerpt without comment.

The Purpose of Fiction -- Revisited

If asked, most people would probably say fiction is a form of entertainment -- in contrast to, say, non-fiction, which would probably be identified as a form of enlightenment.

But fiction is arguably other things as well.

Nugyen Should Reconsider What Thanksgiving Is For

In the wake of his 2016 Pulitzer Prize winning novel "The Sympathizer," Viet Thanh Nugyen has donned the cloak of public intellectual, becoming a prominent voice in the intensifying U.S. culture wars. I previously wrote about his condemnation of alleged white-male domination of writers' workshops here.

But why stop there? Why not reform the Thanksgiving holiday as well?

In a recent piece in The New York Times, Nguyen, who was born in Vietnam, asks: "What is wrong with saying that Thanksgiving is about genocide as much as it is about gratitude?" That, in fact, is what he has been teaching his now four-year-old biracial son.

Fiction as Autobiography

Earlier this year, the New York Times Sunday Book Review ran a piece by Jami Attenberg entitled "It's My Fiction, Not My Life." I clipped it out when it ran and then lost it in a pile of papers.

Authors, Attenberg noted, are very frequently asked by readers how much of a story they have written is autobiographical. Some smile are willing to answer in one fashion or another, no matter how frequently they are asked. But many others are not so accommodating.

Getting Rid of Western Canonical Values

The literary canon -- essentially a list of books considered the most worthy of consideration -- has long been a pillar of Western culture even if there has been disagreement over exactly which works should be included.  But most have been written by white males and as diversity increases in the U.S. as a result of large-scale non-white immigration in the post-WWII period, that seems to be a growing problem: part of the "culture wars" I have increasingly been writing about.

What Sort of a Man was Odysseus?

Well, according to an article in the Nov. 5, 2017, New York Times Sunday Magazine, there is little agreement on that.

The article reports on University of Pennsylvania professor Emily Wilson whose recent translation of Homer's "Odyssey" is the first by a woman. And, according to Wyatt Mason, the author of the article, Wilson renders Homer's work in a radically new voice compared with all that has gone on before -- and there have apparently been about 60 previous English language translations.

Thinking About "The Long Goodbye"

"This sturdy belief system [that if one just tries hard enough, things will work out] has a sidecar in which superstition rides."

That's a sentence I like very much even if motorcycles with sidecars seem to be a rarity these days.

In fact, it may be the most memorable single sentence in "The Long Goodbye," a memoir poet Megan O'Rourke wrote about prolonged grief during and in the wake of her mother's death from cancer at age 55. I read the book because I liked a poem O'Rourke wrote that was recently published in The New York Times  Sunday Magazine.  In an earlier post, I wrote about the poem ("Self-Portrait as Myself") because it relates to my novella "Gina/Diane."

Trump's Tactics and The Two Narratives

The current flap over whether Senate Minority Leader Chuck Schumer (D-NY) is in some way responsible for Tuesday's apparent terrorist attack that killed eight individuals in Manhattan is illustrative of two trends I have been writing about.

The most straight forward is a salient element of President Donald Trump's modus operandi and one that his supporters love: the best defense is a strong offensive.